Marschner – Piano Trios, Vol. 2

Heinrich August Marschner (1795–1861) is probably best known today for his operas, while his chamber works continue to receive scant attention. He composed piano trios throughout his career, reflecting his high regard for the genre even if his own trios achieved little commercial success. Diary records reveal that he enjoyed a close relationship with Robert and Clara Schumann, who held a particular fondness for Marschner’s Lieder and piano trios, and Marschner visited the couple and performed in their private salons several times.


Heinrich August MARSCHNER (1795–1861)
Piano Trios, Vol. 2
No. 2, Op. 111 and No. 6, Op. 148

Gould Piano Trio –
Lucy Gould, Violin • Richard Lester, Cello
Benjamin Frith, Piano

Heinrich Marschner was the leading German operatic composer between Weber and the rise of Wagner, but he also wrote prolifically for chamber forces. His Piano Trios No. 2 and No. 6 share similar qualities: both are in a minor key, they are rich in agitated melodies, and are full of inventive interplay between the three instruments. In contrast to the earlier light-hearted Trio No. 1 (available on 8.574612), No. 2 is a darker, more tension-filled work, albeit with Mendelssohnian grace. No. 6 also embodies elements of mid-19th-century Romanticism conveyed in music that ranges from the turbulent to the spectral.

Listen to an extract from Piano Trio No. 2 in G minor:
II. Romance: Andantino
About the artists

The Gould Piano Trio has remained at the forefront of the international chamber music scene for over a quarter of a century. Launched by winning First Prize at the Melbourne International Chamber Music Competition, it was part of the European Concert Hall Organisation's ‘Rising Stars’ programme, making a highly successful and critically acclaimed debut at New York’s Weill Recital Hall. Its many appearances at London’s Wigmore Hall have included the complete piano trios of Dvořák, Mendelssohn, Schubert and Beethoven.

More recordings by the Gould Piano Trio
8.573261
‘Hard to imagine better performances of these ingratiating works.’
MusicWeb International
8.573388
★★★★
‘It’s more than three years since the previous Stanford volume from this superb group: they clearly love this music, and it’s a joyous listen to place alongside its equally fine predecessors.’
Gramophone
8.572452
★★★★
‘This is one of the best discs of British chamber music to be released in recent years. It is essential listening for anyone who loves Stanford and/or British chamber music.’
MusicWeb International
8.574612
★★★★★
★★★★★
‘The Gould Trio excels at reviving the tempered Romanticism of these two works. The care taken in this first recording leaves us hoping for a quality complete set.’
Diapason ★★★★★


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