Mozart – Complete Masses, Vol. 4

Conductor Christoph Poppen continues his recordings of Mozart’s complete masses with this fourth volume that features three distinctive works from the composer’s early years: the Missa brevis in G major, his only ‘Pastoral’ Mass that also uses dance tunes from a contemporary ballet; the Mass in C major ‘Dominicus’, boasting operatic qualities and a deepening awareness of contrapuntal writing; and the serene Missa brevis in F major, composed in 1774 and inspired by Haydn’s teaching.


Wolfgang Amadeus MOZART (1756–1791)
Complete Masses, Vol. 4
Mass in C major ‘Dominicus’
Missa brevis in G major
Missa brevis in F major

Carolina Ullrich, Katharina Ruckgaber, Katharina Konradi, Sopranos
Elvira Bill, Sarah Romberger, Altos
Patrick Grahl, Paul Schweinester, Martin Mitterrutzner, Tenors
Dominik Köninger, Jonas Müller, Mikhail Timoschenko, Basses
Cologne Cathedral Vocal Ensemble
Cologne Chamber Orchestra • Christoph Poppen

Flanked on this recording by the Missa brevis in G major, the only example of a ‘Pastoral’ Mass by Mozart, and the emotive Missa brevis in F major, the precocious Mass in C major was composed at the age of only 13. It is a dramatic setting of sizeable proportions, with the Gloria and Credo themselves the length of a Missa brevis setting. The ‘Dominicus’ Mass shows a deepening of Mozart’s contrapuntal and harmonic language, with more adventurous and memorable melodies for the soloists.

Listen to an extract from the Credo of Missa brevis in F Major, K. 192
About the Artists

Christoph Poppen is noted for innovative programming and a wide-ranging commitment to contemporary music. He has been guest conductor of orchestras in Europe, The Americas, Japan and Singapore. He is chief conductor of the Cologne Chamber Orchestra, music director of the Hong Kong Sinfonietta and principal guest conductor of the Israel Chamber Orchestra. Founder and artistic director of the acclaimed Festival Internacional de Música de Marvão, he was also artistic director of the Classic Revolution festival in Seoul between 2020 and 2022.

Founded in 1996, the Cologne Cathedral Vocal Ensemble is the youngest of Cologne Cathedral’s four choirs; its repertoire includes a cappella works from the Renaissance to contemporary works. Concert tours have taken the choir across Europe, and it has participated in renowned festivals, including those in Rome, Loreto and Moscow. The choir has also performed numerous oratorios, as well as Beethoven’s Symphony No. 9, under Marc Minkowski and Daniel Barenboim.

The Cologne Chamber Orchestra was founded in 1923 with the aim of interpreting works in authentic and faithful ways, and has subsequently toured Europe, North and South America, and Asia. It has been organising its own subscription series, Das Meisterwerk, in the Cologne Philharmonie for over 30 years. As Germany’s oldest chamber orchestra, its 200-plus recordings, together with radio and television productions, document a repertoire of more than 500 masterpieces and rarities.

Previous volumes in this series
8.574270
Complete Masses, Vol. 1
Mass No. 16 ‘Coronation Mass’
Missa longa

Ulrich • Reinhold • Pollak • Krimmel
West German Radio Chorus Cologne
Cologne Chamber Orchestra
Poppen
★★★★
★★★★
‘Poppen conducts both masses with energy, dynamic rhythm, and textual precision shorn of embellishments … The Cologne Chamber Orchestra, of which Poppen is chief conductor, plays with agility and commitment.’
MusicWeb International
8.574417
Complete Masses, Vol. 2
Mass No. 18 ‘Great’
Missa brevis ‘Spaur’

Konradi • Romberger
Mitterrutzner • Timoshenko
Cologne Radio Choir
Cologne Chamber Orchestra
Poppen
★★★★
★★★★
‘The soloists … impress throughout … pure-voiced Katharina Konradi is a worthy challenger in the ecstatic “Christe” and “Et incarnatus est”, the creamier mezzo of Sarah Romberger agile in the “Laudamus te”, and they combine well in the “Domine” and “Quoniam”.’
Gramophone
8.574514
★★★★★
‘The WDR Radio Choir again offers the rounded, well-blended sound characteristic of the best German regional groups, with good-sized forces, and Poppen’s interpretations are elegant and rather circumspect, letting Mozart speak for himself … A splendid Mozart choral album with music that will be new to all but the most hardcore of Mozart fans, with fine studio sound from Cologne.’
AllMusic.com ★★★★


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