WORLD PREMIERE RECORDING

Nkeiru Okoye’s When the Caged Bird Sings is a ‘musical celebration’ whose compositional voice, though rooted in the African American church, also embraces minimalism and improvisational elements. Delivering a message of adversity turned to triumph, it celebrates the transformative ability of African American women, partly evoking the experiences of the author and activist Maya Angelou. The work functions as a communal ritual that, like oratorio, opera and theatre, brings together vocal soloists, chorus and orchestra, in an experience that both commemorates and celebrates hope and possibility.

INCLUDES A WORLD PREMIERE RECORDING

Henrique Oswald was perhaps the most European of Brazilian composers, having spent a large part of his life in Italy; he also absorbed influences from France and Germany. Oswald’s music always retains a lyrical character with qualities of elegance and radiance, which can be heard in the Sinfonietta. The expressive Elegia, originally conceived for cello and piano, is dedicated to the memory of a friend. With its contrasts between darkness and light, coupled with undeniable beauty, the Symphony is regarded as Oswald’s finest orchestral achievement and one of the most significant works in the Brazilian orchestral literature.

Domenico Cimarosa, one of the last great exponents of the Neapolitan School, was also one of the most-performed opera composers before the arrival of Rossini. He composed over 60 such works and was esteemed from Venice to St Petersburg where he was appointed to the Russian Court. L’Italiana in Londra (‘The Italian Girl in London’) is a charming and sophisticated intermezzo that displays an incredible understanding of comic situations and characters, satirising different cultural stereotypes that are as identifiable today as they were in the 18th century. Humour and wit abound in this acclaimed production.

It was Prince Nikolaus of Esterházy’s increasing infatuation with the baryton that compelled Haydn, the prince’s Kapellmeister, to write an unprecedented body of 125 works for baryton trio. The instrument is more like a viola d’amore than a bass viol and has extra strings behind the neck that provide resonance and opportunities for plucking effects. The six works in this album are intimate expressions of great beauty with a sustained level of invention, all of which reflect the prince’s increasing confidence in the instrument. Volumes 1 and 2 are available on 8.574188 and 8.574504.

WORLD PREMIERE RECORDINGS

William Shield’s early career as a violinist and violist took him to the centre of musical life in London where he became principal violinist of the Covent Garden theatre orchestra in 1773. The publication of the Violin Duets later that decade marked the launch of Shield’s success as a hugely popular composer. Each set of duets is neatly engineered, with many attractive details in the Italianate spirit of Op. 1. The Op. 2 set is more compact, developing arioso vocal styles, clever changes of texture, and folk elements such as hurdy-gurdy-like figurations.

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Celil Refik Kaya is a contemporary guitarist and composer in the great tradition of artists who have created their own unique contribution to the repertoire. Sonata No. 1 is characterised by various stylistic resemblances which include South and North American composers, jazz chord progressions, French impressionism and Spanish folk music, whereas the Sonatina expresses more personal emotions. Kaya’s Turkish background can be heard in his variations on the folk song Yavuz Geliyor Yavuz, which, like the Sketches, has its origins in art and music close to the composer’s heart.

INCLUDES WORLD PREMIERE RECORDINGS

A native of Germany, Robert Volkmann was virtually unknown as a composer until the 1840s when he moved to Hungary. It was there that Volkmann achieved wider recognition due in part to Franz Liszt, Hans von Bülow and Richard Wagner expressing admiration for his Piano Trio, Op. 5. Volkmann’s music straddles the radical and conservative camps in the music of his era, with the early Fantasiebilder influenced by Schumann and Mendelssohn, and the scintillating Piano Sonata in C minor retaining the Classical roots of Beethoven and Schubert. From the cimbalom effects in the Ungarische Lieder to the whimsy in Lieder der Großmutter, Volkmann’s expressive potency is always infused with a compulsive rhythmic verve.

Schubert’s final year was marked by growing public acclaim, but also by the gradual deterioration of his health, so that any idea of him becoming Beethoven’s musical successor was to be short-lived. Schubert’s final three piano sonatas of 1828 were completed only weeks before his death, and the last of these, the Sonata in B flat major with its ‘heavenly length’, stands at the summit of Schubert’s works for piano, bringing together the lyrical and monumental characteristics that are most cherished in his music.

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The New & Now playlist features all that is new and exciting in the world of classical music, whether it’s new music, new presentations or new performers. With more than 200 new releases each year, and artists from around the world, there is always something new to discover with Naxos.