Wagner – Der fliegende Holländer

The story of The Flying Dutchman drew from Wagner a psychological perception that, combined with his orchestral mastery, created a powerful unity between music, words and drama. It was this work that stimulated the potential for his radically new kind of music theatre. Jaap van Zweden is the musical director for this performance and the title role is taken by Irish-American baritone Brian Mulligan, who is in high demand worldwide as a dramatic baritone, performing with many of the world's finest opera houses and orchestras and possessing ‘a voice that is rich, secure and really, really big.’ (The New York Times)


Mastered for Dolby Atmos
8.660572-73

Richard WAGNER (1813–1883)
Der fliegende Holländer
(‘The Flying Dutchman’)
Romantische Oper in three acts
Libretto by the composer
(version compiling revisions from 1842 to 1880)

Jennifer Holloway, Soprano • Maya Yahav Gour, Mezzo-soprano
Bryan Register, Richard Trey Smagur, Tenors
Brian Mulligan, Baritone • Ain Anger, Bass
Netherlands Radio Choir
Hong Kong Philharmonic Chorus and Orchestra
Jaap van Zweden

The Flying Dutchman was Wagner’s breakthrough opera. Though Wagner still employed independent arias and choruses, his operatic concept transcended earlier works such as Rienzi, which was influenced by French grand opera. The supernatural tale of the Dutchman, condemned to roam the seas unless redeemed by a wife who will be faithful to him unto death, inspired an ambitious work in which Wagner was able to unite his dramatic and musical vision with a powerful combined effect for the first time.

Listen to an extract from Act I Scene 2:
Aria: Wie oft in Meeres tiefsten Schlund
About the artists
More albums featuring Jaap van Zweden
8.501403 [14-Disc Boxed Set]
WAGNER, R.:
Der Ring des Nibelungen

Goerne • O’Neill • DeYoung • Skelton • Cangelosi
Melton • Halfvarson • Barkmin • Shenyang
Hong Kong Philharmonic Orchestra
van Zweden
‘Jaap van Zweden and the Hong Kong PO fuse Solti’s energy, Karajan’s chamber aesthetic, Böhm’s impetuosity, Goodall’s detailed gravitas and Keilberth’s vivid scene-building to forge a freshly minted, standard-setting and sonically beguiling Ring cycle. Furthermore, Matthias Goerne’s Wotan is the best since James Morris and Hans Hotter.’
Gramophone
8.574549
SHOSTAKOVICH, D.:
Symphonies Nos. 5 and 9

Hong Kong Philharmonic Orchestra
van Zweden
‘In this new release of two popular Shostakovich symphonies, the orchestral execution is gleaming, totally confident, and without flaws … [T]hese are high⁠-⁠profile, spirited readings that hold your attention.’
Fanfare
8.574372
‘Under the Dutch conductor, this orchestra has flourished; strings are perfectly moulded … van Zweden’s pace is forward-moving but not rushed, the sound and balance in the Hong Kong Cultural Centre superb.’
BBC Music Magazine ★★★★★
8.573271
SHOSTAKOVICH, D.:
Violin Concerto No. 1
RIHM, W.:
Gesungene Zeit

van Zweden
Netherlands Radio Philharmonic
de Waart
Royal Concertgebouw Orchestra
Peskó
★★★★
‘van Zweden’s virtuosity as a violinist … is here shown to be of the highest class, in an account of the great Shostakovich Concerto that holds its own with the finest (including Oitrakh), and superbly partnered by de Waart.’
Musical Opinion


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