Composer(s): Vivaldi, Antonio
Artist(s): Siepmann, Jeremy
Label: Naxos Educational
Genre: Music Education
Period: Baroque
Catalogue No: 8.558028-29
Barcode: 0636943802823
Release Date: 03/2001

Classics Explained: VIVALDI - The Four Seasons (Siepmann)

The Four Seasons is one of the most popular classical works ever written – four violin concertos, each capturing moods and illustrating stories related to a specific time of year. After 300 years, their melodies continue to thrill and seduce, their harmonies to haunt and excite, their tone-painting to ravish the ear and inspire the imagination. But how do they work their particular magic? Why have they succeeded where others have failed? In this voyage of discovery, each movement is preceded by a lively exploration of its means, with the help of many examples and useful analogies.

A series exploring, in words and music, the major classical works of the concert hall. In an accessible and lively manner, Jeremy Siepmann looks at the history and the form of the great masterpieces of western music.

Tracklist

Disc 1
Vivaldi, Antonio
1Introduction: Opening, upward-pointing figure01:33
2Answering, downward figure completes the phrase00:22
3Beginning of dialogue00:25
4The nature of musical conversation; repetition; ' echo ' effect01:26
5Upward pointing to one ' target ' note00:40
6' Answer ' points to two, downward notes00:11
7Same idea repeated 3 times00:19
8The first Solo section: birdsong from three soloists, not one01:53
9Repeat of ' two-pronged ' theme in orchestra00:22
10Orchestra depicts murmuring stream, but still there's no real melody00:51
11Further illustrative ' water studies '00:32
12Orchestra erupts into thunderstorm00:27
13Orchestral thunder, virtuosic ' lightning ' from soloist - but still no ' tune '00:54
14Soloistic ' birds ' return to the air00:41
15Variant of opening theme, with ' argument ' between two notes, one high, one low00:25
16Cue to First Movement00:20
17First Movement (Complete)03:29
18Scene setting and Main Theme of Second Movement01:56
19Analytical comment and Main Theme again00:57
20Main Theme varied00:41
21Further variation, tracing slow, descending scale-steps00:43
22Analytical discussion of ' pace ' and ' tempo ' ; further variant of main theme02:51
23Vivaldi springs a surprise, reversing direction and heightening tension00:44
24Analytical cue to Second Movement00:44
25Second Movement (Complete)02:35
26Undercover ' bagpipes ' initiate the finale01:05
27Second part of Main Theme: new notes, same rhythm00:18
28An ' echo ' with a difference00:23
29Reminder of ' echoed ' phrase in its original form00:12
30Surprise variant provides springboard into new descending four-note pattern00:19
31Unexpected, ' flowing ' entrance of soloist00:36
32The use of ' sequence ' in first extended solo01:21
33Vivaldi prepares expectation...00:19
34... and frustrates it by bringing in a new theme, using his four-note ' motto '01:07
35Violins accompanied by flowing ' commentary ' in lower strings00:34
36Soloist returns with new variant00:36
37Pace slows as violins trace another four-note scalewise descent00:24
38The peasants return with the main theme, which turns unexpectedly downward00:47
39Intensification as harmonies change under broad, descending four-note ' motto '00:37
40Mini-earthquake transformed into harmonic landslide00:46
41Critical mood-change in soloist's lonely soliloquy00:42
42Cue to restoration of main theme in its entirety as the movement ends00:22
43Third Movement (complete)04:15
44Scene setting and opening of First Movement00:34
45Expanded groups of answering phrase00:24
46Upper and lower strings alternately succumb to lethargy00:49
47As in ' Spring ', soloist enters with birdsong00:34
48Orchestra hijacks soloist's material00:40
49Soloist returns,first as turtle-dove, then as goldfinch00:50
50Gentle breezes give away to North Wing01:03
51The storm subsides; soloist enters as weeping peasant boy01:00
52Movement ends as storm returns00:17
53First Movement (complete)05:20
54Second movement opens with extremecontrasts01:34
55Second Movement (complete)02:28
56Stormy Weather; thunder00:37
57Lightning from upper strings00:22
58More lightning: ' heat ' lightning from violins, ' fork ' lightning from violas00:24
59Torrential rain, depicted by entire orchestra00:46
60Deferred entry of solo violin, in virtuoso vein00:54
61Peasant's failing resolve as violin spirals down00:21
62Nature triumphant; soloist draws on orchestra's 'rain' music01:35
63The peasant's capitulation00:23
64Third Movement (complete)03:03
Disc 2
1Repetitiousness and folk music; the movement's opening01:17
2Secondary theme, a closely related development of the first00:28
3Solo entry restates the opening theme, ' double-stopping '01:05
4Unexpectedly, a new theme where a repeat might be expected00:36
5The soloist as ' drunkard '00:45
6Further violinistic slips and slides00:15
7Orchestra re-enters with main theme, but is interrupted by the drunkard00:18
8Other drunks join in ' dialogue ' with the orchestra01:01
9The orchestral peasants continue their dancing, but things have changed00:57
10Enter another drunk, courtesy of the virtuoso soloist00:40
11The dance breaks up00:38
12The drunkard interrupts again, then falls asleep, breathing heavily00:56
13Conversation amongst the sober peasants leads to their final dance00:24
14First Movement (complete)04:46
15Scene-setting for Second Movement01:08
16Second Movement (complete)02:45
17Similarities between the Third Movement and the First01:06
18Expectation and surprise: Vivaldi tacks on one bar too many00:27
19A case of predictable unpredictablity: novelty and repetition00:36
20Soloist's double-stopping depicts hunting horns00:34
21Orchestra yields to unexpected display of virtuosity by soloist00:38
22Soloist suddenly takes the part of the fleeing beast00:25
23Symmetrical paralels with First Movement: ' beast ' / ' drunkard ' etc00:47
24Death of the quarry, end of the movement00:17
25Third Movement (complete)03:13
26Orchestral strings enter, part by part; soloist depicts the biting wind01:24
27Wind subsides and returns, tormenting the trudgers through the snow00:53
28Soloist depicts snow flurries00:27
29Soloist's flurries interrupted by six blasts of orchestral wind00:32
30Teeth chattering, and with stamping feet, the travellers finally reach their goal01:54
31Cue to First Movement as a whole00:11
32First Movement (complete)03:24
33Soloist's ' aria ' accompanied by pizzicato ' raindrops '00:37
34A sequence of simple scales, accompanied by opening rhythm00:33
35Two scalewise ideas for the price of one: foreground and background00:52
36New, rising scale-pattern unfurled with ever-greater breadth00:36
37The pace increases eight-fold in concluding downwards scale00:36
38Against an unvarying tempo, the pace is repeatedly varied01:03
39Foreground / Background00:34
40Detailed discussion of foreground / background perceptions; analogies with speech02:14
41Second Movement (complete)02:19
42Scene-setting; soloist begins for the first time00:47
43Soloist rises progressively, in sequence, decoratively outling chord of the home key00:26
44First orchestral section; ace is halved; the undermining onset of chromaticism00:47
45The walkers lose their balance and stylishly fall down00:22
46Soloist returns as the original solitary walker and strides away from the others00:23
47One tempo, two rates of speed: fast for the soloist, slow for the orchestra01:51
48Orchestra evokes the warm winds of the Sirocco00:36
49Answering blast from the Borea, the could wind of the north; struggle for supremacy01:07
50Cue to final movement00:23
51Third Movement (complete)03:08

Total Playing Time: 01:58:43