Premièred in 1946, a year after the end of World War II, Copland’s iconic Third Symphony was described by the composer as ‘a wartime piece—or, more accurately, an end-of-war piece—intended to reflect the euphoric spirit of the country at the time.’ The fourth movement, heard on this recording in its original uncut form, opens by quoting one of his most well-known pieces, Fanfare for the Common Man. Copland described the Three Latin American Sketches ‘as being just what the title says. The tunes, the rhythms and the temperament of the pieces are folksy, while the orchestration is bright and snappy and the music sizzles along.’