Quintessentially Finzi, the tender yet radiant Dies natalis, a setting of texts by the 17thcentury poet Thomas Traherne, depicts both the first sensations of a child as it enters the world, and life’s tarnishing experience of the innocence of childhood. In Farewell to Arms, a further example of Finzi’s enthusiasm for 17th-century poets, the steady but inevitable tramp of time, symbolized by the measured bass and the tenor’s sad, arching melody, becomes a poignant symbol for the brevity of life as expressed in lines such as ‘O time too swift, O swiftness never ceasing’. Finzi knew all too well that ‘Beauty, strength, youth are flowers but fading seen’.