|
|
Classical Music Home
>
VILLA-LOBOS, H.: Guitar Manuscripts (The) - Masterpieces and Lost Works, Vol. 2 (Bissoli)
|
|
|
|
VILLA-LOBOS, H.: Guitar Manuscripts (The) - Masterpieces and Lost Works, Vol. 2 (Bissoli)
|
|
|
|
Heitor Villa-Lobos’s mother dismissed the guitar as “an instrument played by scoundrels”, but his earliest surviving work, Dime perché, comes from a time when he was composing almost exclusively on this instrument. By completing his unfinished Valsa Concerto No. 2, Andrea Bissoli brings to life the subject of a notorious anecdote between Segovia and Miguel Llobet, and the Sexteto místico echoes Brazilian street band sounds, anticipating Villa-Lobos’s “new form” of the mystical Choros. The intimate serenade Canção do Amor is from his soundtrack for the film Green Mansions.
|
|
Villa-Lobos, Heitor
Bissoli, Andrea, arranger(s)
Dime perche (transcribed by A. Bissoli for guitar)
|
1.
|
|
Dime perche (transcribed by A. Bissoli for guitar)
00:02:09
|
|
Valsa Concerto No. 2 (completed by A. Bissoli)
|
2.
|
|
Valsa Concerto No. 2 (completed by A. Bissoli)
00:04:46
|
|
Villa-Lobos, Heitor
Sexteto mistico
|
3.
|
|
Sexteto mistico
00:07:31
|
|
Introduction to the Choros
|
4.
|
|
Introduction to the Choros
00:13:15
|
|
Choro No. 1, "Choro tipico"
|
5.
|
|
Choro No. 1, "Choro tipico"
00:04:38
|
|
Choros No. 6
Floresta do Amazonas: Cancao do Amor
|
7.
|
|
Floresta do Amazonas: Cancao do Amor
00:04:39
|
|
|
|
|
|
|
Total Playing Time:
01:02:32
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
