Simon Mayr was born in Bavaria but made his name in Italy. Although familiar with the Venetian two-part and Neapolitan three-part operatic overture traditions, he forged a style which at first mirrored the models of his Viennese contemporaries, then broadened out into large-scale and often virtuosic sinfonias filled with unexpected modulations and intervals and beautiful instrumental solos. Spanning a period of 25 years, the works on this recording include Raùl de Créqui with its striking fugal opening, the dramatic Ercole in Lidia with its solo part for harp and Gli Americani which recalls Mozart and Beethoven.