Jacques Castérède composed in almost every genre, from stage and symphonic works to competition pieces, with music that remained rooted in expressive melody. This third and final volume of his flute music presents witty neo-Classicism in the 5 Bagatelles, and the composer’s delight in popular music with the post-Debussian 12 Études, works that are both communicative and vibrant. in the Divertimento we meet the composer at his most compulsively subversive, as an expert melodist, harmonist and contrapuntalist, in music as zany as it is disarming.