Ottorino Respighi’s Maria Egiziaca, described by the composer as a ‘mystery in three episodes’, narrates the life of Saint Mary of Egypt in a profoundly moving and deeply sensuous musical representation of Christian faith as seen through its various characters. This work, depicting Maria’s journey from prostitution to sainthood through sin, conversion and atonement, started out as a concert triptych and sits somewhere between an oratorio and an opera. The intensely dramatic and at times symphonic qualities of Maria Egiziaca are imbued with ancient Italian musical traditions, with two beautiful symphonic interludes separating the three episodes.