Reader(s): Steen, Duncan
Label: Naxos AudioBooks
Genre: Non-Fiction
Period: Romantic
Catalogue No: NA0131
Barcode: 9781843797272
Release Date: 11/2013

NIETZSCHE, F.: Birth of Tragedy (The) (Unabridged)

Friedrich Nietzsche’s The Birth of Tragedy out of the Spirit of Music was published in 1872. In 1869, at the age of 24, he had been appointed a professor of classical philology at the University of Basel, a remarkable position for one of his age, and the book was his first significant publication. It did little, however, to help his reputation as a scholar; his views were controversial and aroused strong criticism in some quarters, while his deliberate espousal of the cause of the composer Richard Wagner was, to say the least, unhelpful. Nietzsche later revised his views on Wagner and re-issued The Birth of Tragedy in 1886 under the title The Birth of Tragedy, or Hellenism and Pessimism, introducing it with An Attempt at a Self-Criticism. The present reading includes this last, his 1871 Preface to Richard Wagner and the original book itself, with its famous discussion of the Apollonian and Dionysian in Greek tragedy.

Tracklist

Disc 1
Nietzsche, Friedrich - Author
Steen, Duncan (Reader)
1 The Birth of Tragedy out of the Spirit of Music 03:00
Steen, Duncan (Reader)
2 One 04:17
Steen, Duncan (Reader)
3 Now, just as the philosopher behaves… 04:21
Steen, Duncan (Reader)
4 In the same place Schopenhauer also described for us… 04:39
Steen, Duncan (Reader)
5 Two 05:45
Steen, Duncan (Reader)
6 In these Greek festivals… 03:45
Steen, Duncan (Reader)
7 Three 04:48
Steen, Duncan (Reader)
8 In order to be able to live… 05:17
Steen, Duncan (Reader)
9 Four 04:57
Steen, Duncan (Reader)
10 This deification of individuation… 05:56
Steen, Duncan (Reader)
11 Five 06:31
Steen, Duncan (Reader)
12 The plastic artist, as well as his relation, the epic poet… 03:27
Steen, Duncan (Reader)
13 Schopenhauer, who did not hide from the difficulty… 05:39
Steen, Duncan (Reader)
14 Six 06:15
Steen, Duncan (Reader)
15 If we are thus entitled to consider the lyrical poem… 03:46
Steen, Duncan (Reader)
Disc 2
1 Seven 05:20
Steen, Duncan (Reader)
2 But that emphatic tradition speaks here… 04:26
Steen, Duncan (Reader)
3 On this last point… 05:09
Steen, Duncan (Reader)
4 Eight 06:00
Steen, Duncan (Reader)
5 The satyr chorus is, first and foremost… 06:35
Steen, Duncan (Reader)
6 This conception of ours… 06:06
Steen, Duncan (Reader)
7 Nine 05:22
Steen, Duncan (Reader)
8 There was a very ancient folk belief… 05:32
Steen, Duncan (Reader)
9 The Prometheus saga is a primordial possession… 06:22
Steen, Duncan (Reader)
10 Ten 04:30
Steen, Duncan (Reader)
11 It has been pointed out earlier… 05:18
Steen, Duncan (Reader)
12 Eleven 05:58
Steen, Duncan (Reader)
13 The new comedy could now direct its attention… 04:57
Steen, Duncan (Reader)
14 By contrast, it is, in fact, well known everywhere… 05:05
Steen, Duncan (Reader)
Disc 3
1 Twelve 06:11
Steen, Duncan (Reader)
2 Now, how is Euripides' work related to this ideal of Apollonian drama? 04:57
Steen, Duncan (Reader)
3 As long as the listener still has to figure out… 05:32
Steen, Duncan (Reader)
4 Thirteen 04:15
Steen, Duncan (Reader)
5 That is the immensely disturbing thing… 05:09
Steen, Duncan (Reader)
6 Fourteen 06:00
Steen, Duncan (Reader)
7 For who can fail to recognize the optimistic element… 05:59
Steen, Duncan (Reader)
8 Fifteen 05:13
Steen, Duncan (Reader)
9 With that statement the fundamental secret of science is unmasked… 03:54
Steen, Duncan (Reader)
10 With respect to this practical pessimism… 04:48
Steen, Duncan (Reader)
11 Sixteen 05:07
Steen, Duncan (Reader)
12 Perhaps we can touch on that original problem… 06:34
Steen, Duncan (Reader)
13 Now, when in a particular case… 05:02
Steen, Duncan (Reader)
Disc 4
1 Seventeen 05:23
Steen, Duncan (Reader)
2 At this point we are concerned with the question… 05:22
Steen, Duncan (Reader)
3 From another perspective… 05:35
Steen, Duncan (Reader)
4 Eighteen 05:40
Steen, Duncan (Reader)
5 While the disaster slumbering in the bosom of theoretical culture… 05:43
Steen, Duncan (Reader)
6 Nineteen 05:42
Steen, Duncan (Reader)
7 For us now it is unimportant… 04:43
Steen, Duncan (Reader)
8 Now we can immediately draw attention here… 05:42
Steen, Duncan (Reader)
9 However, if in the explanation given above… 05:38
Steen, Duncan (Reader)
10 Twenty 03:45
Steen, Duncan (Reader)
11 There is no other artistic period… 04:16
Steen, Duncan (Reader)
12 Twenty One 05:16
Steen, Duncan (Reader)
13 Trusting in this noble deception… 04:58
Steen, Duncan (Reader)
14 And where we breathlessly imagined we were dying… 04:47
Steen, Duncan (Reader)
15 But nonetheless we could just as surely claim… 04:00
Steen, Duncan (Reader)
Disc 5
1 Twenty Two 06:07
Steen, Duncan (Reader)
2 That pathological purgation… 06:05
Steen, Duncan (Reader)
3 Twenty Three 05:45
Steen, Duncan (Reader)
4 I know that now I have to take the sympathetic friend… 06:26
Steen, Duncan (Reader)
5 Twenty Four 06:21
Steen, Duncan (Reader)
6 Here it is necessary for us to vault with a bold leap… 05:30
Steen, Duncan (Reader)
7 Twenty Five 04:06
Steen, Duncan (Reader)
8 Postscript 02:15
Steen, Duncan (Reader)
9 One 02:55
Steen, Duncan (Reader)
10 Two 02:51
Steen, Duncan (Reader)
11 Three 02:59
Steen, Duncan (Reader)
12 Four 04:22
Steen, Duncan (Reader)
13 Five 06:15
Steen, Duncan (Reader)
14 Six 03:37
Steen, Duncan (Reader)
15 Seven 05:20
Steen, Duncan (Reader)

Total Playing Time: 06:05:08