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Whether in opera, concert, recital, or oratorio, the beauty of soprano Dominique Labelle’s voice and her charismatic stage presence are unmistakable. Recent engagements include Handel’s Messiah with the Orchestre Symphonique de Montréal (Kent Nagano) and the Seattle Symphony Orchestra (Gerard Schwarz), Yehudi Wyner’s Fragments from Antiquity (Lexington Symphony) and ten performances with Nicholas McGegan at the Göttingen Handel Festival, including a gala tour celebrating his tenure as its artistic director. She and Nicholas McGegan also performed Handel’s Orlando and Alexander’s Feast with San Francisco’s Philharmonia Baroque Orchestra. Recent appearances with another favourite collaborator, Hungarian conductor Iván Fischer, include Countess Almaviva in Mozart’s Le nozze di Figaro at Teatro Pérez Galdós in Las Palmas and in Budapest. Her forays into contemporary music include Shostakovich’s Seven Romances on Poems of Alexander Blok, Britten’s Les Illuminations and John Harbison’s The Rewaking. Her recent discography includes Monsigny’s Le Déserteur and Handel’s Arminio, winner of the Handel Prize.

Role: Classical Artist 
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