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LUIGI ALBERTO BIANCHI

Successful on both viola and violin, Luigi Alberto Bianchi is somewhat unusual amongst internationally-known string players. From a family of musicians, he began violin lessons aged six but it was the viola which won him a Ricordi Scholarship to study at the Rome Collegio di Musica; at his graduation exam, aged nineteen, he performed Bartók’s Viola Concerto. He became principal viola of Rome’s Orchestra Sinfonica della RAI and a member of the Quartetto di Roma, and embarked on a solo career, becoming particularly popular in the UK in the late 1960s.

In 1973, as well as being appointed Professor of Viola at the University of Milan, Bianchi was chosen to record Paganini’s Sonata per la gran viola (which he did using a 1595 Amati instrument) for the first time according to the original score, without any changes to simplify demanding passages and without the help of a fifth (E) string. He also recorded Max Reger’s three viola suites and, in 1980, a selection of works with pianist Bruno Canino, just before his beloved Amati was stolen. The theft led Bianchi back to the violin. He bought a 1692 Stradivarius in London and later the 1716 ‘Colossus’ Stradivarius, which was itself subsequently stolen in 1998.

Teaching (at institutions across Europe and the USA) and conducting have augmented Bianchi’s activities. He is known as an authority on Paganini and has also written a book on Alessandro Rolla (1757–1841), Paganini’s only teacher.

As a signed artist for the Italian Dynamic label, Bianchi has recorded on both viola and violin, often appearing with both instruments on the same disc. His violin playing, demonstrated here in Rota’s Improvviso (1997) and Hummel’s Rondo brillant (1998), is rich and full, superbly accurate and very assertive. On both instruments his tone is characterised by a quite tight, intense vibrato, few portamenti, and an almost percussive approach to staccati, often executed off the string as either spiccato or ricochet in the modern manner. This enlivens Paganini’s Sonata (1973), which is full of typically bright (possibly brash) Paganinian virtuoso textures ably played by Bianchi. His tempo feels a little directionless, and not all of the fiendishly difficult double-stops are well tuned. The viola transcription of the finale of Paganini’s Violin Concerto No. 2 (1980) can sound a little harsh at times, but the command of staccati is truly splendid.

Bianchi recorded a notable amount of music by Nino Rota (1911–1979), best known for his film scores. Not all of this is successful—it is written in a derivative neo-Brahmsian idiom—but the Viola Sonata No. 2 (1997) is a wonderfully lyrical piece well displaying Bianchi’s cantabile playing in all its richness. Although a versatile artist, his tone suits some things rather better than others. Sarasate’s Op. 23 Spanish Dances (1973) are delivered with great charisma and Bianchi’s tight vibrato is reminiscent of Sarasate’s own sound; there is a sultry passion here which works well. Ravel’s Rapsodie espagnole (‘Habanera’ movement, recorded 1973) is much more delicate and played a little too slowly perhaps, but certainly very thoughtfully.

Bianchi’s performances deliver Reger’s consciously Bach-like textures in a classically-phrased and clean-toned style. The solo Viola Suite No. 1 (1977) begins with a fantastic breadth of tone, whilst the moto perpetuo finale is impressively controlled and always exciting. Overall, Bianchi comes across as a very assertive musical character and a fine string player, equally at home on violin and viola.

© Naxos Rights International Ltd. — David Milsom (A–Z of String Players, Naxos 8.558081-84)

Role: Classical Artist 
Album Title
Catalogue No  Work Category 
BAZZINI: Works for Violin and Piano, Vol. 1 Dynamic
CDS258
Chamber Music
BAZZINI: Works for Violin and Piano, Vol. 2 Dynamic
CDS264
Chamber Music
BAZZINI: Works for Violin and Piano, Vol. 3 Dynamic
CDS292
Chamber Music
HUMMEL: Amusement / Rondo brillant in G Major / Viola Sonata in E-Flat Major Dynamic
CDS192
Chamber Music
HUMMEL: Piano Music / Chamber Music (6 CD box set) Dynamic
CDS554
Chamber Music
KREISLER, F.: Famous Encores (Bianchi, Masi) Dynamic
CDS88
Chamber Music, Instrumental
LALO, E.: Violin and Piano Works - Violin Sonata / Allegro Maestoso / Fantaisie Originale (Bianchi, D. Kovacevich) Dynamic
CDS356
Chamber Music
PAGANINI, N.: 36 Sonatas for Violin and Guitar, "Lucca Sonatas", Vol. 1 (Bianchi, Preda) Dynamic
CDS043
Chamber Music
PAGANINI, N.: Centone di sonate for Violin and Guitar, Vol. 1 (Bianchi, Preda) Dynamic
CDS148
Chamber Music
PAGANINI, N.: Centone di sonate for Violin and Guitar, Vol. 2 (Bianchi, Preda) Dynamic
CDS084
Chamber Music
PAGANINI, N.: Centone di sonate for Violin and Guitar, Vol. 3 (Bianchi, Preda) Dynamic
CDS034
Chamber Music
PAGANINI, N.: Lucca Sonatas, Vol. 2 (L.A. Bianchi, M. Preda) Dynamic
CDS294
Chamber Music
PAGANINI, N.: Violin and Guitar Music (Complete) Dynamic
CDS466
Chamber Music
PAGANINI: 6 Duets for Violin and Guitar / Carmagnola / Grand Sonata Dynamic
CDS440
Chamber Music
PAGANINI: Sonata concertata / Cantabile e Valtz / 60 Variations on Barucaba Dynamic
CDS435
Chamber Music
PAGANINI: Violin and Guitar Works Dynamic
CDS411
Chamber Music
RAVEL / KODALY: Works for Violin and Cello Dynamic
CDS26
Chamber Music
REGER: Violin Sonata No. 7 / Viola Suites Dynamic
CDS383
Instrumental
ROLLA, A.: Duets for Flute and Violin / 3 Capricci for Viola (M. Carbotta, L.A. Bianchi) Dynamic
CDS371
Chamber Music, Instrumental
ROLLA: 3 Duet Concertantes, Op. 15 Dynamic
CDS252
Chamber Music
ROTA, N.: Viola Sonatas Nos. 1 and 2 / Violin Sonata / Improvviso / Intermezzo (Bianchi, Vincenzi) Dynamic
CDS211
Chamber Music
Viola Recital: Bianchi, Luigi Alberto - PAGANINI, N. / KREISLER, F. / SARASATE, P. (Paganini Gran Viola - Bianchi plays the 1595 Amati viola) Dynamic
CDS259
Concertos, Chamber Music
WEBER: 9 Variations in D Minor on a Norwegian Air / 6 Sonatas Dynamic
CDS149
Chamber Music





 
 
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