Baiba Skride plays MOZART: Violin Concertos Nos. 1-5

‘Skride’s sweet, sinewy playing has the edge’
– Gramophone on Szymanowski’s Violin Concertos and Myths (C 873 141 A)

‘The sheer beauty of tone and the long, seamless lines that are a feature of Miss Skride’s performance’
– MusicWeb International on Brahms’ Violin Concerto and Hungarian Dances (C 829 112 A)

SIBELIUS, J.: Violin Concerto / 2 Serenades / NIELSEN, C.: Violin Concerto

C 896 152 A • 2-CD
NIELSEN • SIBELUS
Violin Concertos
2 Serenades

SCHUMANN, R.: Violin Concerto, WoO 1 / Phantasie / Cello Concerto, Op. 129 (version for violin)

C 854 131 A • 1-CD
SCHUMANN
Violin Concerto
Phantasie

BRAHMS, J.: Violin Concerto, Op. 77 / Hungarian Dances (arr. J. Joachim for violin and piano)

C 829 112 A • 2-CD
BRAHMS
Violin Concerto
Hungarian Dances

Orchestral Music - STRAVINSKY, I. / HONEGGER, A. / MARTIN, F.

C 849 121 A • 1-CD
STRAVINSKY • HONEGGER
MARTIN

SZYMANOWSKI, K.: Violin Concertos Nos. 1 and 2 / Myths

C 873 141 A • 1-CD
SZYMANOWSKI
Violin Concertos
Myths

Violin Recital: Skride, Baiba - GRIEG, E. / NIELSEN, C. / SIBELIUS, J. / STENHAMMAR, W.

C 913 161 A • 2-CD
GRIEG • NIELSEN • SIBELIUS
STENHAMMAR
Violin Sonatas & Pieces

American Concertos - L. Bernstein / E.W. Korngold / M. Rózsa

C932182 • 2-CD
American Concertos

BARTÓK, B.: Violin Concerto No. 2 / Rhapsodies Nos. 1 and 2

C950191 • 1-CD
BARTÓK
Violin Concerto No. 2
Rhapsodies for violin

‘Expressive playing that captures the music’s inherent uneasy qualities.’ – The Strad

C 896 152 A • 2-CD
NIELSEN • SIBELUS
Violin Concertos • 2 Serenades

C 854 131 A • 1-CD
SCHUMANN
Violin Concerto • Phantasie

C 829 112 A • 2-CD
BRAHMS
Violin Concerto • Hungarian Dances

C 849 121 A • 1-CD
STRAVINSKY • HONEGGER • MARTIN

C 873 141 A • 1-CD
SZYMANOWSKI
Violin Concertos • Myths

C 913 161 A • 2-CD
GRIEG • NIELSEN • SIBELIUS • STENHAMMAR
Violin Sonatas & Pieces

C932182 • 2-CD
American Concertos

C950191 • 1-CD
BARTÓK
Violin Concerto No. 2 • Rhapsodies for violin

‘Expressive playing that captures the music’s inherent uneasy qualities.’ – The Strad