Raymond Bisha introduces the programme on a recent recording that includes Kapustin’s Second and Sixth Piano Concertos, with soloist Frank Dupree accompanied variously by the SWR Big Band and the SWR Symphony Orchestra.

Raymond Bisha introduces a new album featuring Beethoven’s final three cello sonatas that are full of unexpected shifts of harmony and mood, virtuoso flourishes and experimental surprises, all of which defy convention.

Recordings from Naxos and its affiliated labels were among the recently announced nominations for the 2025 International Classical Music Awards (ICMA).

Renowned both as a distinguished soloist with some 1,800 concerts worldwide to her credit and as a member of the Amadeus Guitar Duo, Dale Kavanagh is one of the most prominent classical guitarists of her generation.

Raymond Bisha’s latest podcast introduces the twenty-four strings and forty fingers of the Guitalian Quartet in a programme from a new album featuring music from Brazil, Mexico, Argentina and beyond.

Knighted in 1950, Sir Arthur Bliss was Master of the Queen’s Music in Great Britain from 1953 until his death in 1975. Raymond Bisha introduces a new album comprising both original works for brass band and arrangements of others for the ensemble that represent the breadth of the composer’s output…

Game developers will be able to access Naxos’ classical, cultural, world, folk and regional music catalogues in a significant expansion of Reactional’s music delivery platform

Raymond Bisha introduces the world premiere recordings of remarkable orchestral works by Maria Herz.

Leif Segerstam, the renowned Finnish conductor, composer, violinist and pianist, has died aged 80.

Raymond Bisha’s podcast spotlights two classic recordings in the Vox Audiophile Edition that were first released in the mid-1970s.

Marking the 200th anniversary of Bruckner’s birth, this is the final podcast in Raymond Bisha’s four-part survey of Naxos’ project to record all 18 versions of the composer’s 11 symphonies.

Launched in 2004 as an online streaming service and educational resource for classical music, the Naxos Music Library catalogue now offers individual and institutional subscribers access to a milestone three million tracks.

Marking the 200th anniversary of Bruckner’s birth, this is the third podcast in Raymond Bisha’s four-part survey of Naxos’ project to record all 18 versions of the composer’s 11 symphonies.

Marking the 200th anniversary of Bruckner’s birth, this is the second podcast in Raymond Bisha’s four-part survey of Naxos’ project to record all 18 versions of the composer’s 11 symphonies.

Marking the 200th anniversary of Bruckner’s birth, Raymond Bisha dips into the fruits of Naxos’ project to record all 18 versions of the composer’s 11 symphonies.

A recent new album of American organ concertos featuring multi-award-winning artists brought together the artistry of organist Paul Jacobs and the contemporary music pedigree of the Nashville Symphony Orchestra under the baton of Giancarlo Guerrero.

In the first half of the 20th century, Catalan instrumental music was dominated by works for the piano and the cello. As a result, the importance of Catalan violin repertoire is often overlooked.

Conductor Adam Fischer and the Danish Chamber Orchestra have already persuaded audiences to absorb the symphonies of Brahms and Beethoven through their distinctive lens. Now they’re midway through a series of recordings of Haydn’s great late symphonies.

Mario Castelnuovo-Tedesco, perhaps best known for his numerous film scores and works for guitar, also composed in a variety of other genres, from transcriptions for cello to violin concertos, piano works and orchestral music.

Associates of the Naxos Music Group were saddened to learn of the recent passing of German composer Wolfgang Rihm, at the age of 72.

Pianist Alon Goldstein and the Fine Arts Quartet, with bassist Avery Cardoza, have just recorded rare 19th-century chamber versions of Mozart’s Piano Concertos Nos. 18 & 22, their fifth album in the series following Naxos’s releases of Nos. 20/21, 23/24, 9/17, & 19/25.

In this podcast, Raymond Bisha talks with American composer Margaret Brouwer about the inspiration and compositional approach behind the orchestral pieces on the programme of her new album.

Five years into the celebrated Naxos Music of Brazil series, we reach Vol. 21 and the music of Oscar Lorenzo Fernández (1897–1948), who was a key figure in the cultural life of Rio de Janeiro.

Smetana’s Má vlast is an unprecedented cycle of six related symphonic poems that evoke Czech legends and celebrate the beauty of the country’s landscapes.

Pianist Quynh Nguyen discusses her recording of the complete piano works of Paul Chihara, the distinguished American composer whose output includes the scores for over 100 motion pictures and television series.

JoAnn Falletta, conductor of the Buffalo Symphony Orchestra, discusses a programme of orchestral works by composer/conductor Lukas Foss, who was both a predecessor of hers in Buffalo and a mentor to her.

Irish cellist Gerald Peregrine introduces his latest album of early 20th-century British works for cello and piano, interweaving the classical and folk-based music with a personal narrative of community engagement, in which his live music-making initiatives have achieved truly significant and touching results.

This podcast spotlights Israeli mandolinist Alon Sariel, who provides an entree into the engaging world of the mandolin, an instrument that perhaps enjoys a relatively low profile but commands a fascinating global reach.

Marin Alsop discusses her latest release – an album of orchestral works by John Adams – with Raymond Bisha, exploring just what it is about Adams’ music that makes him the leading nominee for the title of America’s greatest living composer, not least for scores that inhabit ‘the groove’ with conspicuous relish.

Louis Wayne Ballard (1931–2007) – also known as ‘Honganozhe’, which means ‘Stands with Eagles’ in the Quapaw language – was the first indigenous North American composer of art music, and his extensive knowledge of the music, dance and mythology of this culture informed his compositions. This podcast reviews a new album of his works that are eclectic in style, uniquely varied and thoroughly engaging.

This podcast from the Sounds Interesting series takes a musical week, a day at a time.

Raymond Bisha’s conversation with Janne Valkeajoki delves into the various musical transformations and performance mechanics that were involved in the masterly transfer from harpsichord strings to accordion reeds.

Orfeo Vecchi was held in high regard by his contemporaries for the sacred music he produced towards the end of the 16th century. Raymond Bisha introduces a new recording of the twenty pieces that comprise his third book of Motets for Six Voices.

Raymond Bisha introduces a new album of works for string quartet by Florence Price and Leo Sowerby, who were both prominent members of the Chicago music community in the 1930s and 1940s.

Raymond Bisha’s latest podcast introduces the world premiere recording of Joseph Rheinberger’s arrangement for two pianos of Bach’s Goldberg Variations.

George Gershwin’s ever popular Rhapsody in Blue was first performed in February 1924. To mark the centenary of that celebrated event, pianist Jeffrey Biegel commissioned composer Peter Boyer to write a work for piano and orchestra that would be a 21st-century partner to Gershwin’s original.

Raymond Bisha introduces a programme of works for piano and orchestra by Chopin, performed by legendary pianist Abbey Simon.

The Jury of the International Classical Music Awards (ICMA) announced the Awards for 2024.

Raised in Medellín, Colombia, Billy Arcila has lived in the United States for over 40 years, where he teaches and performs as one of California’s foremost guitarists. In this podcast, Raymond Bisha presents the first  album to be made of his music.

Joseph Haydn was music director of the Esterházy Court at Eisenstadt for twenty-five years. It was where Prince Nikolaus commissioned him to write trios for the baryton, a bowed, stringed instrument similar to the viol but with extra plucked strings that enabled performers to accompany themselves.