This podcast features Peter Hall in conversation with JoAnn Falletta, music director of the Buffalo Philharmonic, about her latest release on the Naxos label — a recording of William Walton’s Façades 1 and 2, together with four additional movements.

Raymond Bisha introduces us to the eclectic and exuberant imagination of the American composer Aaron Jay Kernis, whose works are inhabited by a host of influences — musical, historical and personal.

Raymond Bisha’s podcast focuses on two works by William Bolcom recorded for the Naxos American Classics Series.

Raymond Bisha dips into a Naxos recording of works by Jean Sibelius that have been obscured by the popularity of his symphonies and the violin concerto, including many pieces he wrote to complement stage works. 

Once in a while you hear such incredibly beautiful music for the first time that you just can’t understand why it has remained under wraps for so long.

Fantasy, fairy tales and Maurice Ravel’s flair for orchestral colour are all to the fore in this album featuring two examples of the composer’s music for the stage — the scores for his opera L’Enfant et les sortilèges and his ballet Ma mère l’oye.

In this week’s podcast, Raymond Bisha introduces the 4-CD collection of the complete piano works of Mieczysław Weinberg — from teenage mazurkas written in his native Poland through to his last works for the instrument composed in Moscow.

This podcast features Marin Alsop in conversation with Raymond Bisha following the release of her first album for Naxos as chief conductor of the ORF Vienna Radio Symphony Orchestra.

Violinist Tianwa Yang marks her fifteenth year as one of Naxos’ leading artists with a new album featuring Prokofiev’s two violin concertos.

An introduction to the Symphonies and Dances of composer Malcolm Arnold featuring conductor Andrew Penny who recorded all these works for Naxos.

Raymond Bisha presents an overview of Boris Giltburg’s project to learn and record all of Beethoven’s 32 piano sonatas, which are now released in a 9-CD boxed set edition following their inception as critically acclaimed digital releases.

Joseph Boulogne, Chevalier de Saint-Georges, was a brilliant swordsman, athlete, violin virtuoso and gifted composer, with a claim to being the most talented figure in an age of remarkable individuals.

Raymond Bisha introduces the second volume of string quartets by the Lithuanian composer Jurgis Karnavičius (1884–1941), recorded by the Vilnius String Quartet on the Ondine label.

Significantly influenced by his experience of playing in some of the earliest Soviet jazz bands, Nikolai Kapustin trained as a pianist at the Moscow Conservatory but subsequently devoted himself to composition.

Raymond Bisha prefaces his latest podcast with this introduction: “Heitor Villa-Lobos, the prolific Brazilian composer of some 2,000 works, conductor, cellist, guitarist and music educationalist, wrote his three violin sonatas between 1912 and 1920.

French composer Camille Saint-Saëns (1835–1921) is remembered as someone who could spin melodies as easily as he breathed.

With multiple GRAMMY nominations and wide critical acclaim to her credit, Joan Tower’s latest album in the Naxos American Classics series demonstrates why she is so often performed, and why she is such a respected person among American composers.

Anne-Louise Brillon de Jouy ran one of the finest salons in pre-revolution Paris.

From composer to transcriber to performer — less instantaneous than modern transmissions, but it’s how many works first came to be known by music lovers before the dawn of the age of technology.

Daniel-François-Esprit Auber (1782–1871) was one of the most famous composers of the 19th century.

Raymond Bisha introduces Spanish guitarist Mabel Millán in her debut album for Naxos.

In this podcast, Raymond Bisha takes us on a journey across South America, making musical stops in the countries of Peru, Bolivia, Ecuador, Chile, Argentina and Colombia.

Raymond Bisha’s latest podcast finds him in conversation with world-renowned guitarist and lutenist Richard Savino who introduces his debut recording for Naxos that also features his renowned ensemble El Mundo.

Described as having ‘natural genius’, John Abraham Fisher was a significant figure in London during the second half of the 18th century.

Aram Il’yich Khachaturian once described how he “grew up in an atmosphere rich in folk music, popular festivals, rites joyous and sad, events in the lives of people always accompanied by music… deeply engraved in my memory, that determined my musical thinking.”

Raymond Bisha introduces a new album of choral transcriptions by Brazilian composer Heitor Villa-Lobos (1887–1959) that forms part of Naxos’ Music of Brazil series.

Raymond Bisha introduces a new album of orchestral works by Žibouklé Martinaityté (b. 1973).

Raymond Bisha introduces a new album of 21st-century mallet percussion concertos performed by virtuoso percussionist Dame Evelyn Glennie and the City Chamber Orchestra of Hong Kong under Jean Thorel.

Raymond Bisha introduces a programme of orchestral music by the Pulitzer and Erasmus Prize-winning American composer John Adams.

Choral music formed an important part of Anton Bruckner’s output throughout his career, even though the genre was widely underappreciated by a public more inclined to large-scale symphonic and operatic works.

Czech composer Vitězslav Novák (1870–1949), who was one of Dvořák’s composition students, rose to prominence with a series of increasingly ambitious orchestral works that fused elements of folk music, impressionism and late-Romanticism.

Raymond Bisha discusses a release of music by the American composer Bernard Herrmann with Joseph Horowitz, co-founder of PostClassical Ensemble, a group dedicated to stepping across normal repertoire boundaries.