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With 31 January marking the start of the Chinese New Year, we present a selection of music that has its roots in the world's most populous country: ethnic sounds, fusion works, reflections on nature and snapshots of politics – what follows is just a small sample from the Naxos catalogue that illustrates China's increasing presence and influence in the world of classical music.

Chinese Works for Orchestra

Yellow River Chinese 82015
Chinese Songs and Dances Vol. 1
Yellow River Chinese 82064
Chinese Legends and Myths

Yellow River Chinese 82006
China Silk Road
Yellow River Chinese 82100
Everlasting Chinese Folksongs

Chinese Contemporary Artists

Chinese Composers in America

Naxos 8.570601
SHENG, Bright: Spring Dreams / 3 Fantasies / Tibetan Dance
Cho-liang Lin, Singapore Chinese Orchestra, Tsung Yeh, A.-M. Schub, Erin Svoboda, Bright Sheng

Chinese-American composer Bright Sheng acknowledges no aesthetic borders, weaving together haunting melodies and sonorities from sources as diverse as Chinese, Kazakhstani and Tibetan music, or even his own dreams, like silken threads into shimmering brocades of sound. His love of song and dance, blending Asian and Western instrumental textures, imbues his music with a fascinating, highly personal cultural counterpoint that has won him immense popularity, critical acclaim and an enviable reputation as an ever-fresh voice in cross-cultural music.

Listen to the podcast Introducing Bright Sheng:

Naxos 8.559610
SHENG, Bright: Phoenix (The) / Red Silk Dance / Tibetan Swing / H'un (Lacerations)
Bright Sheng, Seattle Symphony, Gerard Schwarz

The Phoenix, co-commissioned by the Seattle Symphony and Danish National Symphony Orchestra, was inspired by a Hans Christian Andersen tale, the mythical bird symbolizing for Chinese-American composer Bright Sheng “the muse of all peoples.” Aggressive fervor seeks meditative peace in H’un: In memoriam 1966–1976, hailed by The New YorkTimes as “a searing portrait of the Cultural Revolution in China…deeply affecting.” Sheng’s exquisite Spring Dreams, Three Fantasias and Tibetan Dance are available on Naxos 8.570601. China Dreams and Nanking Nanking can be heard on Naxos 8.555866.

Listen to the podcast The Phoenix and The Composer:

Naxos 8.559653
HUANG, Ruo: Drama Theater Nos. 2-4 / String Quartet No. 1, "The 3 Tenses"
Future In REverse, Huang Ruo

The release by Naxos of Huang Ruo’s Chamber Concertos Nos. 1–4 (8.559322) was hailed as ‘a bold debut’ (Gramophone) which ‘shows a major compositional voice emerging’ (The Juilliard Journal Online). This disc, also conducted by the composer, presents three of his Drama Theaters for various combinations of Eastern and Western instruments—including 18 beer bottles—the elusive subtitle of each strikingly suggesting a musical/cultural/philosophical idea. Similarly, The Three Tenses explores a paradoxically integrated notion of time, where past, present and future create ‘a seamless entity called timelessness’. Huang Ruo won the 2008 International Composition Prize of the Luxembourg Society for Contemporary Music and has been cited by the New Yorker as ‘one of the most intriguing of the new crop of Asian-American composers.

Naxos 8.559322
HUANG, Ruo: Chamber Concertos Nos. 1-4
International Contemporary Ensemble, Ruo Huang

Influenced by both the East and the West, Chinese-American composer Huang Ruo strives to create a seamless synthesis and a convincing organic unity, drawing influences from many genres and cultures. His music has been performed by the Philadelphia Orchestra, the ASKO Ensemble, and the Nieuw Ensemble, under conductors James Conlon, Dennis Russell Davies and Wolfgang Sawallisch. In 2003, he was featured on a Composer Portrait concert at Columbia University’s Miller Theatre, where the International Contemporary Ensemble premiered the Chamber Concerto Cycle. The concert was hailed by New York Times critic Allan Kozinn as No. 2 of the Top Ten Classical Moments of 2003.

Naxos 8.570608
TAN, Dun: Symphonic Poem of 3 Notes / Orchestral Theatre / Concerto for Orchestra (after Marco Polo)
Hong Kong Philharmonic, Tan Dun

The multifaceted and multi-award winner Tan Dun has made an indelible mark on the world music scene with a creative repertoire that spans the boundaries of classical music. The Symphonic Poem on Three Notes describes an evolutionary arc from nature through industry and back to nature, the traditional orchestra augmented with a range of unorthodox sound sources such as wind, stones and car brake drums. The drama of Orchestral Theatre centres on memories of ritual from the composer’s childhood, linking folk music styles to Western atonality, while the Concerto for Orchestra describes the exoticism of Marco Polo’s geographical, musical and spiritual journeys.

Listen to the podcast of Tan Dun in conversation with Gail Wein:

Naxos 8.570604
ZHOU, Long: Su / Pianogongs / Taiping Drum / Wild Grass / Taigu Rhyme / CHEN, Yi: Monologue / Chinese Ancient Dances
Beijing New Music Ensemble, Eli Marshall

Trained side-by-side in Beijing at the Central Conservatory, and in New York at Columbia University, Chen Yi, the first woman to receive a master’s degree in composition in China, and Zhou Long are now partners on the faculty at the University of Missouri—Kansas City. Despite the close ties, their compositions enjoy distinct identities, frequently bringing into fascinating juxtaposition Western and Eastern instruments as well as traditional and contemporary compositional techniques. The Beijing New Music Ensemble is the only independent music ensemble dedicated to new music in China. This is its début recording.

China, Opera and Ballet

Naxos 8.669022-24
ADAMS, J.: Nixon in China
Robert Orth, Maria Kanyova, Thomas Hammons,Marc Heller, Opera Colorado Chorus, Colorado Symphony Orchestra, Marin Alsop

A longtime collaborator of John Adams and champion of his music, Marin Alsop directs this live recording of Opera Colorado’s 25th Anniversary Celebration production of Nixon in China, presented at Denver’s new Ellie Caulkins Opera House during the 2008 National Performing Arts Convention, and featuring an internationally recognized cast. Alice Goodman’s epic libretto and John Adams’s distinctive music weave together a colorful fabric of actual events from President Nixon’s historic visit to the People’s Republic of China with intimate examinations of the opera’s real life characters. The spectacle, drama, humor and pathos of this masterpiece remain as compelling today as when the opera was premièred in 1987.


Naxos 8.660089-90
PUCCINI: Turandot
Marco Polo 8.018-19
Red Detachment of Women

Traditional Chinese Music

Marco Polo 8.225929
CHINA Chen Jun: Erhu Classics
Middle Kingdom 8.828001
CHINA Pipa Classics

Middle Kingdom 8.828002
CHINA Zheng Classics
Middle Kingdom 8.828009
Suona Classics

East Meets West

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